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Florida Safari 2009
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March 5
Thursday
4495 photos
This morning I decided to go to Little Estero Lagoon again, since I was fairly pleased with a number of the "keepers" I got there yesterday.  Unfortunately, there were very, very few birds there today.  The tidepool next to the north pier was completely devoid of birds, so I had to walk down further away from the lagoon to the rather larger pools to the south, where I found a handful of birds.

With so few birds present, getting any interesting interactions between birds seemed unlikely, so I contented myself with static portrait shots.  Since I shoot almost exclusively in manual exposure mode now, my first shot of the day is always a white object (when I can find one) that I can use to get an initial exposure reading.  It usually takes a few shots for me to adjust my exposure so as to be shooting as bright as possible without activating the highlight alerts.  Today I took my test shots using a back-lit snowy egret with lots of bright light reflecting in the water around the bird.  Although I usually delete these test shots after calibrating my exposure, I decided to keep this one since it reminded me of the "polar bear in a snowstorm" jokes from gradeschool:



Snowy Egret in Blinding Sunlight.
600mm at f/8.  1/320 sec at ISO 1250.
Fill flash at +1.

The snowy provided just about the only entertainment during my visit to Estero today.  I did notice that I was able to get some more colorful backgrounds by shooting toward the inland side of the tidepool, where there is some grass growing in front of the hotels:



Snowy Egret at Little Estero Lagoon.
600mm at f/6.3.  1/1250 sec at ISO 125.  No flash.


With the tall, white resort buildings in the background, the water took on a bit of a silvery hue when shot at the right angle, which I liked:



Snowy Egret at Little Estero Lagoon.
600mm at f/6.3.  1/1250 sec at ISO 125.
Fill flash at +1
.


Besides the snowy egret, there was a small group of pelicans present, but they sat in front of the sun and preened, so there was little I could do, photographically, with them.  A tri-colored heron eventually wandered over to my side of the pond, and I again found the background colors and the texture and color of the water to my liking:



Tri-colored Heron at Little Estero Lagoon.
600mm at f/5.6.  1/1250 sec at ISO 125.  No flash
.


And then something very surprising happened: a bird flew in which I had never seen before.  Soon it was foraging close to my position.  When I realized that this was a Reddish Egret, I was ecstatic:


Reddish Egret at Little Estero Lagoon.
600mm at f/9.  1/250 sec at ISO 125.
Fill flash at +1.


Unfortunately, after taking about three photos of the bird, it flew off, along with the few other herons and egrets.  I waited a short while for them to return, then decided to just leave and try a new site. 

I decided it was finally time to pay a visit to the legendary Sanibel Island.  All the reports I had been getting from other photographers during my trip indicated that a trip to Sanibel would be a waste of time.  I decided to try it anyway, since Little Estero was dead and I didn’t feel like going back to Corkscrew or Tigertail. 

The traffic on the way to Sanibel is reputed to be downright awful.  I arrived in town around 10:30am and found it to be very, very slow, but still bearable.  From the time I crossed the bridge to the island to the time that I arrived at the Ding Darling refuge on Sanibel, perhaps 45 minutes had elapsed.  Ding Darling was mostly dead too, except for one of the ponds early on the wildlife loop, where a fairly large number of birds were napping some distance from the road.  Because the birds were a bit too far away (precluding significant feather detail), were at a lower elevation than the road (precluding eye-level shots), and because I wasn’t happy with the angle of the sunlight nor the lack of activity among the birds, I didn’t even bother getting out the camera.  And those were just about the only birds I saw in Ding Darling.

Around noon I decided to try the Fisherman’s Pier at the eastern end of Sanibel, by the lighthouse.   I was in luck: there were some egrets and terns flying around at close range at the pier, and a large flock of brown pelicans diving close to shore:



Pelican diving off Sanibel Island.
600mm at f/5.  1/1000 sec at ISO 160.


I’ve always enjoyed watching pelicans dive for fish.  If you’ve never seen this for yourself, you’re really missing something cool.  As they approach the surface of the water, they draw in the wings, and sometimes angle a bit to fine-tune their trajectory toward a school of fish:



Pelican Diving off Sanibel Island.
600mm at f/5.  1/1600 sec at ISO 160.


When their beak penetrates the water they throw the legs and wings straight back so that the whole animal becomes arrow-shaped, in preparation for the plunge:



Pelican diving off Sanibel Island.
600mm at f/5.  1/1250 sec at ISO 160
.


Virtually the entire bird submerges, with just the tips of the wings protruding from the surface:



Pelican Wingtips.
600mm at f/5.  1/1250 sec at ISO/160.


After filling a few memory cards with pelican-diving photos, I turned my attention to the pier.  The word is that there are usually some egrets that hang out on the pier to collect discarded fish scraps, though at least one photographer (at Shark Valley, a few days ago) informed me that he waited all afternoon for them to show up, to no avail.  I was a bit luckier.  Shooting the birds on the pier proved tricky with all the people around, but occasionally they did perch in the trees at the top of the beach, and then I was able to get some natural-looking portraits, somewhat reminiscent of the Wild Bird Center on Key Largo:



Snow Egret at Fishermen’s Pier on Sanibel.
600mm at f/10.  1/250 at ISO 100.
Fill flash at full power (+3).


Notice the sandy feet on the bird above
they do forage along the beach itself, though I didn’t have much luck with the backgrounds when I tried for those shots.

As I mentioned, it’s hard to get good egret shots on the pier, because there usually end up being people in frame:



Great Egret on Fishermen’s Pier, Sanibel Island.
200mm at f/10.  1/500 sec at ISO 160.
Fill flash on high-speed sync at full power (+3), no beamer.


Terns also hang out near the pier, and will come down to try to claim fish scraps left by the fishermen:



Tern at Fishermen’s Pier, Sanibel Island.
200mm at f/5.6.  1/640 sec at ISO 250.
Flash on high-speed sync at full power (+3).


Following the advice of Arthur Morris, I brought along a cooler full of freshly thawed sardines.  Unfortunately, a large sign at the entrance states that city law prohibits feeding of wild birds.  I decided to use my $12 box of sardines as bait i.e., setting out a fish or two just to draw in the birds, without actually letting them have the fish.  That way I wouldn’t be breaking the law.  Unfortunately, the gulls proved to be very quick at snatching up anything not nailed down to the pier:



Gull and Sardine.
160mm at f/5.6.  1/800 sec at ISO 800.  No flash.


After losing several fish to the gulls, I gave up on the baiting strategy, for fear that my actions would be misinterpreted as intentional feeding of the birds.  By that time, however, one of the egrets had observed me taking fish from my cooler, and apparently learned that the cooler was the source of the food I had been setting out.  Here you can see the bird cautiously approaching my fish cooler:



Snowy Egret Contemplates the Fish Box.
70mm at f/8.  1/400 sec at ISO 160.
Fill flash on high speed sync at -2/3.


I think the pier has great potential for getting action shots of the snowy egrets, if you’re patient.  The snowies do occasionally fight in mid-air, and with a short zoom lens, if you position yourself well and have lots of patience, you should be able to get some great flight shots.  I didn’t quite have the patience for it that day, but this image (below) shows you how close you can expect to get to the birds for the action shots (and again I have to say that I personally like the "polar bear in a snowstorm" look, though I know that not everyone does):



Snowy Egrets at Fishermen’s Pier, Sanibel Island.
195mm at f/5.6.  1/640 sec at ISO 250.
Fill flash on high-speed sync at full power (+3).


There were five or six snowies there that day, plus a great egret and a great blue heron.  There’s also a very accessible osprey nest right there at the lighthouse, but ospreys were low on my list of priorities at that point, since I had many osprey photos already.

I should note that parking at the pier is very expensive
$2/hour and the signs threaten severe penalties for failing to pay (including imprisonment and/or extraction of internal organs).   I ended up staying late because I wanted to catch the sunset.  That turned out to be a good idea, and made the exorbitant parking penalty worth paying, in my opinion.  Here’s a silhouette of a great blue heron in the shallows next to the pier:



Great Blue Heron on Sanibel Island.
200mm at f/11.  1/1600 sec at ISO 320.  No flash.


To the west of the pier is a little cove where pelicans sometimes congregate, and when they fly back toward the pier in the evening they sometimes pass in front of the sunset:



Brown Pelican at Sunset.
600mm at f/11.  1/500 sec at ISO 320
.


The terns also foraged in that cove at sunset and gave me some silhouette opportunities too:



Tern at Sunset.
600mm at f/14.  1/500 sec at ISO 320.


Below is a wider shot of the sun setting behind the cove:



Sunset at the Fishermen’s Pier, Sanibel Island.
HDR image composed from five exposures.
Canon 30D and Tokina 12-24mm lens at 12mm.


Overall, I was pretty satisfied with Sanibel, though I now wish I’d tried Ding Darling in the morning or evening.  Today I took more photos than at any other time during my trip.  The excitement wasn’t limited to my Sanibel visit, however.  As I was arriving back at my hotel in Naples, five or six police cars burst into the parking lot with sirens blazing, stormed into the hotel’s lobby, and hauled out some guy who looked beaten up and bloodied.  They strapped him into a stretcher and carted him away in an ambulence.  Wow.








All text and photos (C) Bill Majoros.  All rights reserved.